1 00:00:15,734 --> 00:00:18,734 ♪ 2 00:00:23,834 --> 00:00:26,600 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,600 --> 00:00:30,300 ♪ CALLED LOVE? ♪ 4 00:00:30,300 --> 00:00:32,800 ♪ THIS FUNNY THING ♪ 5 00:00:32,800 --> 00:00:36,400 ♪ CALLED LOVE ♪ 6 00:00:36,400 --> 00:00:38,734 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,734 --> 00:00:42,533 ♪ ITS MYSTERY? ♪ 8 00:00:42,533 --> 00:00:45,567 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,567 --> 00:00:49,500 ♪ A FOOL OF ME? ♪ 10 00:00:49,500 --> 00:00:51,600 ♪ I SAW YOU THERE ♪ 11 00:00:51,600 --> 00:00:55,600 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,600 --> 00:00:57,633 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,633 --> 00:01:01,333 ♪ AND THREW IT AWAY ♪ 14 00:01:01,333 --> 00:01:04,300 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,300 --> 00:01:07,700 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,700 --> 00:01:10,700 ♪ WHAT IS THIS THING ♪ 17 00:01:10,700 --> 00:01:15,867 ♪ CALLED LOVE? ♪ 18 00:01:17,200 --> 00:01:22,433 ♪ CALLED LOVE ♪ 19 00:01:30,400 --> 00:01:32,800 (man) AND IT'S ANOTHER PERFECT DAY IN THE SOUTHLAND. 20 00:01:32,800 --> 00:01:34,533 IF IT STAYS THIS PERFECT MUCH LONGER, 21 00:01:34,533 --> 00:01:36,800 I AM GONNA KILL MYSELF. 22 00:01:36,800 --> 00:01:38,333 (moans) 23 00:01:42,633 --> 00:01:44,834 (laughs) OH. 24 00:01:44,834 --> 00:01:47,567 (moaning) 25 00:01:50,567 --> 00:01:51,767 OHH. 26 00:01:51,767 --> 00:01:53,967 (Abigail moans) 27 00:01:56,433 --> 00:01:58,300 (pants) 28 00:01:58,300 --> 00:02:01,500 (moaning) 29 00:02:03,934 --> 00:02:05,633 AHH! AHH! 30 00:02:05,633 --> 00:02:06,900 AHH! 31 00:02:06,900 --> 00:02:09,533 (Abigail panting) 32 00:02:09,533 --> 00:02:13,567 (moaning) 33 00:02:13,567 --> 00:02:16,400 OH! OH! OHH! 34 00:02:16,400 --> 00:02:17,700 (whispers indistinctly) 35 00:02:17,700 --> 00:02:21,567 (panting) 36 00:02:21,567 --> 00:02:23,333 MORNING. 37 00:02:23,333 --> 00:02:25,467 (continues panting) 38 00:02:25,467 --> 00:02:27,166 HOW ARE YOU, MERLE? 39 00:02:27,166 --> 00:02:30,400 MOIST. HOW ARE YOU? (chuckles) 40 00:02:30,400 --> 00:02:32,300 ME? NEVER BETTER. 41 00:02:32,300 --> 00:02:34,867 (pours liquid) RUNNING AWAY FROM HOME? 42 00:02:34,867 --> 00:02:36,734 IT'S THE UNIT'S WEEKEND IN THE MOUNTAINS 43 00:02:36,734 --> 00:02:38,633 AT JUD CUTTER'S CABIN, 44 00:02:38,633 --> 00:02:40,600 AND I AM TAKING MICHAEL. 45 00:02:40,600 --> 00:02:42,500 OH, WAIT. OKAY. SO THE LAWYER 46 00:02:42,500 --> 00:02:44,934 IS SPENDING THE WEEKEND WITH A BUNCH OF COPS. 47 00:02:44,934 --> 00:02:46,567 IS HE INTO PAIN? 48 00:02:46,567 --> 00:02:48,333 THESE ARE THE PEOPLE I WORK WITH EVERY DAY. 49 00:02:48,333 --> 00:02:49,800 THEY'LL BE NICE. 50 00:02:49,800 --> 00:02:51,900 (chuckles) DOES HE KNOW YOU AND CUTTER HAD A THING? 51 00:02:51,900 --> 00:02:54,900 CUTTER HAD A THING. RIGHT. 52 00:02:59,867 --> 00:03:03,200 (Luther) TALK TO ME, MICHAEL. TELL ME WHAT YOU'RE THINKING. 53 00:03:03,200 --> 00:03:04,800 BE FRANK AND SPECIFIC. 54 00:03:04,800 --> 00:03:06,800 I'M THINKING, THERE'S AN ASS ON YOUR COMPUTER SCREEN. 55 00:03:06,800 --> 00:03:08,834 GOOD. EXCELLENT. AND? 56 00:03:08,834 --> 00:03:11,500 AND I DON'T KNOW. I'M WONDERING WHAT'S ABOVE IT, BELOW IT, 57 00:03:11,500 --> 00:03:13,367 AND ON THE OTHER SIDE OF IT. BRILLIANT. 58 00:03:13,367 --> 00:03:15,200 WHICH IS THE GENIUS OF TAINTED TUSH, 59 00:03:15,200 --> 00:03:16,734 WHICH IS WHY WE MUST CRUSH THOSE 60 00:03:16,734 --> 00:03:18,433 WHO WOULD TRY TO STEAL OUR INSPIRATION. 61 00:03:18,433 --> 00:03:20,533 TAINTED TUSH IS BEING VIOLATED. 62 00:03:20,533 --> 00:03:21,934 OUCH. 63 00:03:21,934 --> 00:03:24,200 DO NOT TRIVIALIZE THIS, MICHAEL. 64 00:03:24,200 --> 00:03:26,400 TAINTED TUSH HAS CREATED A UNIQUE BRAND 65 00:03:26,400 --> 00:03:28,233 IN THE WORLD OF SOCIAL NETWORKING, 66 00:03:28,233 --> 00:03:30,734 AND WE MUST NOT STAND BY AND LET FannyHut.com 67 00:03:30,734 --> 00:03:33,834 OR Toughtush.com TRADE ON OUR GOOD NAME. 68 00:03:33,834 --> 00:03:35,867 I AM INSPIRED. WE NEED TO HAVE THIS MOTION 69 00:03:35,867 --> 00:03:37,367 READY TO BE FILED MONDAY MORNING. 70 00:03:37,367 --> 00:03:38,934 NO, NO, NO. W-WE? 71 00:03:38,934 --> 00:03:40,900 LUTHER, I SAID I'D BE SANTA'S HELPER, NOT SANTA. 72 00:03:40,900 --> 00:03:42,667 I NEED YOU IN THE CHIMNEY. 73 00:03:42,667 --> 00:03:44,266 YOU'RE THE WORDSMITH. I'M THE MAN OF ACTION. 74 00:03:44,266 --> 00:03:45,633 I'M GOING AWAY FOR THE WEEKEND. 75 00:03:45,633 --> 00:03:46,867 MICHAEL, YOU CAN'T. 76 00:03:46,867 --> 00:03:48,667 I WOULD NEVER DESERT YOU LIKE THIS. 77 00:03:48,667 --> 00:03:50,333 OH, YOU WOULD AND YOU DID. 78 00:03:50,333 --> 00:03:52,333 IF MEMORY SERVES, THERE WAS A WEEKEND 79 00:03:52,333 --> 00:03:54,367 THAT WE WERE UNDER THE GUN WITH THE CURVES AHEAD BUYOUT, 80 00:03:54,367 --> 00:03:56,400 AND SOMEONE, OH, YOU, TOOK OFF. 81 00:03:56,400 --> 00:03:58,934 THAT WAS COMPLETELY DIFFERENT. 82 00:03:58,934 --> 00:04:01,200 I WAS GOING AWAY WITH THE COCHRAN TRIPLETS. 83 00:04:01,200 --> 00:04:02,433 MM-HMM. 84 00:04:02,433 --> 00:04:04,200 ANYWAY, YOU'RE MISSING THE POINT. 85 00:04:04,200 --> 00:04:06,200 TAINTED TUSH MAY VERY WELL BE THE MOST IMPORTANT CLIENT 86 00:04:06,200 --> 00:04:07,533 WE'VE EVER REPRESENTED. 87 00:04:07,533 --> 00:04:09,533 I HOPE THIS DOESN'T SOUND PRETENTIOUS, 88 00:04:09,533 --> 00:04:11,533 BUT WE ARE FIGHTING FOR THE HEARTS AND MINDS 89 00:04:11,533 --> 00:04:12,934 AND, YES, THE EROGENOUS ZONES, 90 00:04:12,934 --> 00:04:16,133 OF THE MOST INFLUENTIAL GENERATION IN HISTORY. 91 00:04:16,133 --> 00:04:17,633 YEAH, IT SOUNDS PRETENTIOUS. 92 00:04:17,633 --> 00:04:20,333 I PITY YOUR LACK OF VISION, MICHAEL. 93 00:04:20,333 --> 00:04:22,500 THIS GENERATION IS DRIVEN BY IMAGES, 94 00:04:22,500 --> 00:04:24,200 NOT TEXT, 95 00:04:24,200 --> 00:04:26,200 AND I ASK YOU, WHAT MORE PROFOUND AN IMAGE IS THERE 96 00:04:26,200 --> 00:04:27,934 THAN THE HUMAN ASS? 97 00:04:27,934 --> 00:04:29,934 OKAY, LUTHER, YOU FUCKIN' DROVE ME TO TEARS. YOU WIN. 98 00:04:29,934 --> 00:04:31,934 I'LL TAKE THE LAPTOP. WE'LL GET IT DONE OVER THE WEEKEND. 99 00:04:31,934 --> 00:04:34,433 YOU ARE A TRUE PRINCE. YOU SHOULD HAVE A CROWN AND TIGHTS-- 100 00:04:34,433 --> 00:04:35,633 (computer chirps) 101 00:04:35,633 --> 00:04:37,300 AH. 102 00:04:37,300 --> 00:04:39,200 A MISSIVE FROM MOTHER RUSSIA. TAKE A LOOK. 103 00:04:39,200 --> 00:04:41,333 THE SISTERS DELACOURT-- 104 00:04:41,333 --> 00:04:43,333 THE BLACK SEA ENGULFED IN COSSACKS. 105 00:04:43,333 --> 00:04:46,367 (laughs) OH, MY GOD. 106 00:04:46,367 --> 00:04:49,166 JOCELYN'S GOT BETTER TITS THAN PEMMIE. 107 00:04:49,166 --> 00:04:50,800 HOW COULD THE UNIVERSE DO THAT TO ME? 108 00:04:50,800 --> 00:04:53,166 I'M NOT SURE IF PEMMIE IS A GOOD OR BAD INFLUENCE-- 109 00:04:53,166 --> 00:04:54,800 ALWAYS BAD. IT'S HER BEST QUALITY. 110 00:04:54,800 --> 00:04:57,367 YOU KNOW, THEY ACTUALLY LOOK HAPPIER WITHOUT US. 111 00:04:57,367 --> 00:04:58,934 MM. 112 00:04:58,934 --> 00:05:00,900 (cell phone rings) 113 00:05:00,900 --> 00:05:05,266 HEY. YOU DONE PACKING? 114 00:05:05,266 --> 00:05:07,433 I'LL CALL YOU WHEN I'M CLOSE. 115 00:05:07,433 --> 00:05:09,567 ALL RIGHT. 116 00:05:11,533 --> 00:05:14,533 WE ARE GOING TO THE MOUNTAINS WITH PEOPLE FROM HER OFFICE. 117 00:05:14,533 --> 00:05:16,266 HER OFFICE? 118 00:05:16,266 --> 00:05:19,266 HER OFFICE IS A SQUAD CAR IN A CITY FULL OF BLOOD STAINS. 119 00:05:19,266 --> 00:05:21,266 (chuckles) YOU'RE GOING AWAY WITH COPS? 120 00:05:21,266 --> 00:05:22,800 HEY, COPS ARE INTERESTING PEOPLE. 121 00:05:22,800 --> 00:05:24,633 MM-HMM. WHAT ARE YOU GONNA TALK ABOUT, BULLETS? 122 00:05:24,633 --> 00:05:26,133 OH, YOU'RE A FUCKING ELITIST. 123 00:05:26,133 --> 00:05:27,600 NO, I'M WAY BETTER THAN THAT. 124 00:05:27,600 --> 00:05:29,734 BUT SINCE YOU ARE GOING AWAY WITH COPS ALL WEEKEND, 125 00:05:29,734 --> 00:05:31,367 I DO HAVE A FAVOR TO ASK. 126 00:05:31,367 --> 00:05:32,834 ANYTHING. 127 00:05:32,834 --> 00:05:36,300 I COULD REALLY USE A-A LOANER PAIR OF HANDCUFFS. 128 00:05:36,300 --> 00:05:38,934 MINE ARE IN THE SHOP. 129 00:05:41,433 --> 00:05:45,166 ♪ 130 00:05:45,166 --> 00:05:47,600 (speaks foreign language) 131 00:05:47,600 --> 00:05:49,533 DASVIDANIYA. 132 00:05:49,533 --> 00:05:50,734 AH. 133 00:05:50,734 --> 00:05:53,834 (speaks foreign language) 134 00:05:53,834 --> 00:05:55,233 (chuckles) 135 00:05:55,233 --> 00:05:56,667 (speaks foreign language) 136 00:05:56,667 --> 00:05:57,867 (laughs) 137 00:05:57,867 --> 00:05:59,333 WHAT HE SAID. 138 00:05:59,333 --> 00:06:01,467 (laughs) 139 00:06:01,467 --> 00:06:02,734 OOH! 140 00:06:02,734 --> 00:06:03,934 AHH! 141 00:06:03,934 --> 00:06:05,333 OOH! 142 00:06:05,333 --> 00:06:06,667 OH, MY GOODNESS. 143 00:06:06,667 --> 00:06:08,433 (laughs) GOOD CALL COMING TO RUSSIA, PEM. 144 00:06:08,433 --> 00:06:09,633 MM. 145 00:06:09,633 --> 00:06:10,934 TRAVEL IS GOOD FOR THE SOUL. 146 00:06:10,934 --> 00:06:13,500 OOH, NOT ONLY THAT, BUT... 147 00:06:13,500 --> 00:06:16,800 HEY, DID YOU GET THAT PERMANENT EYELINER? 148 00:06:16,800 --> 00:06:18,867 MM. IT'S JETLAG. 149 00:06:18,867 --> 00:06:21,400 (both laugh) 150 00:06:21,400 --> 00:06:22,700 ALL RIGHT. I'VE BEEN THINKING... 151 00:06:22,700 --> 00:06:24,166 HMM? 152 00:06:24,166 --> 00:06:26,200 I THINK... 153 00:06:26,200 --> 00:06:28,900 YOU ACTUALLY HAVE TO LEAVE 154 00:06:28,900 --> 00:06:30,667 WHERE YOU LIVE 155 00:06:30,667 --> 00:06:32,633 TO FIND OUT... 156 00:06:32,633 --> 00:06:36,367 WHERE YOU REALLY LIVE. 157 00:06:36,367 --> 00:06:38,900 DOES THAT MAKE SENSE TO YOU? 158 00:06:38,900 --> 00:06:40,700 FUCKING "A." 159 00:06:40,700 --> 00:06:42,667 TOTAL SENSE. 160 00:06:42,667 --> 00:06:44,400 MM. THAT IS DEEP, JOCE. 161 00:06:44,400 --> 00:06:46,233 MM-HMM. AND ALSO... 162 00:06:46,233 --> 00:06:49,200 I THINK THE BARTENDER HAS A HUGE COCK. 163 00:06:49,200 --> 00:06:51,367 (laughing) I MEAN, I THINK THAT GUY 164 00:06:51,367 --> 00:06:53,867 HAS ONE OF THOSE SADDLES. (continues laughing) 165 00:06:53,867 --> 00:06:55,700 OH. MM-HMM. WHOO-HOO. 166 00:06:55,700 --> 00:06:58,233 WHOO-HOO. (speaks foreign language) 167 00:06:58,233 --> 00:07:00,600 OHH. 168 00:07:00,600 --> 00:07:02,233 UH-HUH. 169 00:07:02,233 --> 00:07:03,867 OH. (laughs) 170 00:07:03,867 --> 00:07:05,367 (laughs) 171 00:07:05,367 --> 00:07:07,800 (speaks foreign language) MM. 172 00:07:07,800 --> 00:07:09,333 YEAH. 173 00:07:10,500 --> 00:07:12,467 (speaks foreign language) 174 00:07:12,467 --> 00:07:14,433 (sighs) (speaks foreign language) 175 00:07:15,633 --> 00:07:18,467 (laughs) 176 00:07:18,467 --> 00:07:19,767 OKAY. 177 00:07:19,767 --> 00:07:21,767 LET'S WALK TO YUGOSLAVIA. 178 00:07:21,767 --> 00:07:24,233 IT DOESN'T EXIST ANYMORE. 179 00:07:24,233 --> 00:07:25,734 I'M GOING THERE ANYWAYS. 180 00:07:25,734 --> 00:07:27,800 OKAY. COME ON, LITTLE BITCH. LET'S GO. 181 00:07:27,800 --> 00:07:29,700 OKAY. AH! 182 00:07:29,700 --> 00:07:31,367 DO IT. 183 00:07:31,367 --> 00:07:32,800 WHOO-HOO. 184 00:07:32,800 --> 00:07:34,400 HEY... (speaks foreign language) 185 00:07:34,400 --> 00:07:35,900 (laughs) 186 00:07:35,900 --> 00:07:38,367 OOPS. (laughs) 187 00:07:40,700 --> 00:07:42,333 (Jocelyn and Pemberg squeal) GOD BLESS AMERICA. 188 00:07:42,333 --> 00:07:45,233 THIS IS AMAZING! I LOVE RUSSIA! 189 00:07:54,166 --> 00:07:56,367 I LOVE THE WAY YOU GRIP THAT WHEEL 190 00:07:56,367 --> 00:07:59,467 WITH THOSE BLACK LEATHER GLOVES, MISTER. 191 00:07:59,467 --> 00:08:00,734 DON'T DISTRACT ME. 192 00:08:04,233 --> 00:08:06,467 HEY. 193 00:08:06,467 --> 00:08:07,900 THAT'S A DANGEROUS IDEA. 194 00:08:07,900 --> 00:08:09,300 (chuckles) 195 00:08:09,300 --> 00:08:12,400 I'LL SHOW YOU A DANGEROUS IDEA. 196 00:08:12,400 --> 00:08:14,500 MM. MMM. 197 00:08:14,500 --> 00:08:16,533 (both moan) 198 00:08:16,533 --> 00:08:19,166 MMM. 199 00:08:19,166 --> 00:08:20,367 OHH. 200 00:08:20,367 --> 00:08:23,133 (smacks lips) 201 00:08:23,133 --> 00:08:25,400 MM. MM. 202 00:08:27,500 --> 00:08:29,500 (panting) 203 00:08:29,500 --> 00:08:31,567 (moaning) 204 00:08:31,567 --> 00:08:33,700 (gasps) AHH. 205 00:08:33,700 --> 00:08:36,467 (moans) 206 00:08:36,467 --> 00:08:38,800 AHH. (panting) 207 00:08:38,800 --> 00:08:40,300 (grunts) 208 00:08:40,300 --> 00:08:43,133 AHH. AHH. (gasps) GOD. 209 00:08:43,133 --> 00:08:45,633 OHH! (moaning) 210 00:08:45,633 --> 00:08:48,266 (grunts and moans) 211 00:08:49,834 --> 00:08:51,367 (chuckles) 212 00:08:51,367 --> 00:08:53,433 (laughs) 213 00:08:53,433 --> 00:08:57,734 (pants) 214 00:09:13,934 --> 00:09:16,867 (Michael groans) 215 00:09:22,100 --> 00:09:24,734 JUD? 216 00:09:24,734 --> 00:09:26,767 ANYONE HERE? 217 00:09:26,767 --> 00:09:29,133 HUH. 218 00:09:29,133 --> 00:09:31,700 LOOKS LIKE IT'S JUST US. 219 00:09:31,700 --> 00:09:33,667 GOOD. 220 00:09:34,800 --> 00:09:36,667 'CAUSE... 221 00:09:36,667 --> 00:09:38,700 I GOTTA HAVE YOU RIGHT NOW. 222 00:09:38,700 --> 00:09:41,667 (laughs) 223 00:09:41,667 --> 00:09:43,367 (chuckles) 224 00:09:45,200 --> 00:09:46,400 (pants) 225 00:09:46,400 --> 00:09:47,600 MM. 226 00:09:47,600 --> 00:09:48,800 (gasps) 227 00:09:48,800 --> 00:09:52,133 (both moaning) 228 00:09:52,133 --> 00:09:53,400 (gasps) 229 00:09:53,400 --> 00:09:55,400 OH, MY GOD. YOU'RE STILL SO WET. 230 00:09:55,400 --> 00:09:56,767 (laughs) 231 00:09:56,767 --> 00:09:58,200 MM. 232 00:09:58,200 --> 00:09:59,400 OH. 233 00:09:59,400 --> 00:10:01,934 MM, MM. (sighs) 234 00:10:03,734 --> 00:10:05,934 HEY. (laughs) PARTNER. 235 00:10:05,934 --> 00:10:07,433 GLAD YOU MADE IT. 236 00:10:07,433 --> 00:10:09,600 GLAD OR SURPRISED? HELLO. 237 00:10:09,600 --> 00:10:11,667 OOH. WHITE WOMEN HAVE SUCH SMALL ASSES. 238 00:10:11,667 --> 00:10:13,600 HOW DO YOU DO THAT? 239 00:10:13,600 --> 00:10:16,433 (laughs) MICHAEL, THIS IS PRESTON'S WIFE, HELEN. 240 00:10:16,433 --> 00:10:18,467 UH-HUH. A TALL MAN. 241 00:10:18,467 --> 00:10:20,867 I LIKE A TALL MAN. 242 00:10:20,867 --> 00:10:22,367 I GOT A TALL MAN FOR YOU OVER HERE. 243 00:10:22,367 --> 00:10:23,567 (laughs) 244 00:10:23,567 --> 00:10:25,233 I'M JUD CUTTER. HEY. 245 00:10:25,233 --> 00:10:26,734 WELCOME ABOARD. THANKS. 246 00:10:26,734 --> 00:10:29,266 LIZ, MIKE, SAY HI TO MY GAL, JACKEE. 247 00:10:29,266 --> 00:10:31,166 (laughs) CHARMED. 248 00:10:31,166 --> 00:10:32,734 HI, JACKEE. 249 00:10:32,734 --> 00:10:35,533 IF JUD EVER GETS OUT OF HAND, I'LL LEND YOU MY TASER. 250 00:10:35,533 --> 00:10:36,934 (laughs) SHE'S CUTE. 251 00:10:36,934 --> 00:10:39,900 MM. I'M ALWAYS OUTTA HAND. RIGHT, LIZ? 252 00:10:41,433 --> 00:10:43,433 WHAT'S YOUR DRINK? 253 00:10:43,433 --> 00:10:45,667 NOTHING, THANKS. I'VE GOT SOME WORK TO FINISH. 254 00:10:45,667 --> 00:10:47,467 OH, HEY, THERE'S NO WORKING IN THE PLAYPEN, DUDE. 255 00:10:47,467 --> 00:10:48,834 WHAT KIND OF WORK DO YOU DO? 256 00:10:48,834 --> 00:10:50,467 I'M A LAWYER. 257 00:10:50,467 --> 00:10:52,934 HMM. WELL, COME ON. I'LL SHOW YOU YOUR ROOM. 258 00:10:52,934 --> 00:10:55,266 YOU GET THE BEST SUITE IN THE HOUSE. 259 00:10:55,266 --> 00:10:56,600 ALL RIGHT. 260 00:10:56,600 --> 00:10:59,700 (groans) 261 00:11:03,233 --> 00:11:04,433 (keyboard keys clicking) 262 00:11:04,433 --> 00:11:05,633 (Michael sighs) 263 00:11:05,633 --> 00:11:07,467 ALL RIGHT, LUTHER. HERE IT IS-- 264 00:11:07,467 --> 00:11:10,266 "THAT FannyHut.com AND Toughtush.com 265 00:11:10,266 --> 00:11:12,467 CEASE AND DESIST IN ALL FURTHER BUSINESS IN THIS AREA..." 266 00:11:12,467 --> 00:11:13,867 BLAH, BLAH, BLAH. 267 00:11:13,867 --> 00:11:15,600 THAT SOUND GOOD TO YOU? 268 00:11:15,600 --> 00:11:17,266 Fabulous. E-mail it to me. 269 00:11:17,266 --> 00:11:19,266 I'll have Claire put it in proper form. 270 00:11:19,266 --> 00:11:21,767 Oh, by the way, I have some great news for you. 271 00:11:21,767 --> 00:11:24,200 OH? We are not getting paid. 272 00:11:24,200 --> 00:11:26,333 ARE WE ALSO GONNA BE BEATEN? 273 00:11:26,333 --> 00:11:27,633 BETTER. 274 00:11:27,633 --> 00:11:29,834 THE CEO OFFERED US STOCK IN LIEU OF A FEE, 275 00:11:29,834 --> 00:11:33,233 SO IF TAINTED TUSH SPLITS-- FORGIVE THE UNSAVORY IMAGE-- 276 00:11:33,233 --> 00:11:35,367 WE WILL BE FILTHY RICH. 277 00:11:35,367 --> 00:11:38,834 AND I JUST SENT YOU THE NEW TAINTED TUSH LOGO. 278 00:11:42,367 --> 00:11:44,400 VERY TASTEFUL, LUTHER. 279 00:11:44,400 --> 00:11:45,934 CAN WE PICK THIS UP TOMORROW? 280 00:11:45,934 --> 00:11:48,400 Absolutely. Start thinking about 281 00:11:48,400 --> 00:11:50,600 what kind of jet you want to buy. 282 00:11:50,600 --> 00:11:52,500 (clicks button) 283 00:11:53,900 --> 00:11:56,500 (sighs) DID I MISS ANYTHING OUT THERE? 284 00:11:56,500 --> 00:11:58,667 JUST MY FAMOUS MARGARITAS 285 00:11:58,667 --> 00:12:00,667 AND JACKEE'S TITS BLOCKING OUT THE SUN. 286 00:12:00,667 --> 00:12:01,867 (chuckles) 287 00:12:01,867 --> 00:12:03,266 (chuckles) 288 00:12:03,266 --> 00:12:04,467 HI. 289 00:12:04,467 --> 00:12:07,734 (moans) 290 00:12:09,433 --> 00:12:11,367 (Michael moaning) 291 00:12:11,367 --> 00:12:14,333 (kissing sounds) 292 00:12:14,333 --> 00:12:17,767 (both moaning) 293 00:12:22,166 --> 00:12:25,767 (Jackee) I CAN'T, JUD. IT'S TOO BIG! 294 00:12:25,767 --> 00:12:29,533 (Jud) I CAN'T HEAR YOU! 295 00:12:29,533 --> 00:12:31,533 I CAN'T, JUD! 296 00:12:31,533 --> 00:12:34,867 IT'S... TOO... BIG! 297 00:12:34,867 --> 00:12:36,467 (Jud and Jackee grunting and moaning) 298 00:12:36,467 --> 00:12:38,300 HE'S SO COMPETITIVE. 299 00:12:38,300 --> 00:12:40,600 (Jackee screaming) 300 00:12:40,600 --> 00:12:43,400 (Jud) OH, THAT'S IT. THAT'S IT. AHH! 301 00:12:43,400 --> 00:12:45,600 GOD, THAT FEELS INCREDIBLE! OH! 302 00:12:45,600 --> 00:12:47,633 THAT'S SO DEEP, MICHAEL! 303 00:12:47,633 --> 00:12:48,900 (Jackee screaming) 304 00:12:48,900 --> 00:12:50,300 OH, YEAH! 305 00:12:50,300 --> 00:12:52,667 NOW GET ON TOP. RIDE IT! RIDE IT! 306 00:12:52,667 --> 00:12:54,633 (moans) 307 00:12:54,633 --> 00:12:55,934 (Michael and Liz) RIDE IT! RIDE IT! 308 00:12:55,934 --> 00:12:58,667 (Michael) RIDE IT! (Liz) YES! 309 00:12:58,667 --> 00:13:01,233 OH, MY GOD. (moaning) (Michael) YES, RIGHT ON TOP. 310 00:13:01,233 --> 00:13:02,433 FASTER? FASTER. 311 00:13:02,433 --> 00:13:03,667 OH! RIDE IT! 312 00:13:03,667 --> 00:13:05,500 RIDE IT! RIDE IT! 313 00:13:05,500 --> 00:13:06,967 (panting) OH, THAT'S IT. THAT'S IT. 314 00:13:06,967 --> 00:13:08,467 THAT'S IT RIGHT THERE. OH! OH! 315 00:13:08,467 --> 00:13:09,667 OHH! OH, GOD! I LOVE REDHEADS. 316 00:13:09,667 --> 00:13:12,200 (all screaming indistinctly) 317 00:13:12,200 --> 00:13:13,800 AHH! GOD! I LOVE REDHEADS. 318 00:13:13,800 --> 00:13:15,900 (Jackee and Jud screaming) 319 00:13:15,900 --> 00:13:17,433 OH! YES! 320 00:13:17,433 --> 00:13:20,567 OHH! GIVE IT TO ME! GIVE IT TO ME! 321 00:13:20,567 --> 00:13:22,734 (Jackee and Jud continue screaming) AHH! 322 00:13:22,734 --> 00:13:24,567 (panting and screaming) OH, OH, WAIT. 323 00:13:24,567 --> 00:13:27,800 SHH. SHH. (Michael and Liz screaming) 324 00:13:27,800 --> 00:13:29,800 OH, NO. OH, NO. (Liz) OH, GOD. YOUR DICK IS SO ENORMOUS! 325 00:13:29,800 --> 00:13:31,300 LIKE THIS? 326 00:13:31,300 --> 00:13:32,834 (Michael) MY GOD, RIGHT? (Liz screaming) 327 00:13:32,834 --> 00:13:35,233 WHAT? LET'S DO IT THIS WAY. YES. 328 00:13:35,233 --> 00:13:36,533 (both moan) 329 00:13:36,533 --> 00:13:39,333 OH. TAKE THAT. (moans) (moans) 330 00:13:39,333 --> 00:13:41,333 GIVE IT TO YOU? I'LL GIVE IT TO YOU! (screaming) 331 00:13:41,333 --> 00:13:43,800 (both screaming) 332 00:13:43,800 --> 00:13:46,500 AAH! OHH! OHH! OHH! OHH! 333 00:13:46,500 --> 00:13:48,200 (squeals) YEAH, YEAH. 334 00:13:48,200 --> 00:13:50,400 WAIT. SHH. (Liz) OH, MY GOD! LET'S GO. 335 00:13:50,400 --> 00:13:52,200 HIT IT! (moans) IT'S NEVER FELT... 336 00:13:52,200 --> 00:13:54,333 SO GOOD! AHH! 337 00:13:54,333 --> 00:13:55,633 (Michael and Liz screaming) 338 00:13:55,633 --> 00:13:57,433 (whispers) DOGGY STYLE. DOGGY STYLE. 339 00:13:57,433 --> 00:13:59,400 (whispers) YEAH, YEAH. OHH. 340 00:13:59,400 --> 00:14:02,400 (Liz screaming) YOU'RE NOT GONNA BE ABLE TO WALK TOMORROW! 341 00:14:02,400 --> 00:14:04,867 (moaning) (grunts, whimpers and moans) YES! 342 00:14:04,867 --> 00:14:06,300 IT FEELS AMAZING! 343 00:14:06,300 --> 00:14:07,500 OH, I'M ON TOP NOW, BABY! 344 00:14:07,500 --> 00:14:08,700 (panting) 345 00:14:08,700 --> 00:14:10,233 TAKE IT ALL! 346 00:14:10,233 --> 00:14:11,767 WAIT. OH, TAKE IT... 347 00:14:11,767 --> 00:14:13,967 ALL! (muffles voice) (Liz) YES! YES! 348 00:14:13,967 --> 00:14:15,300 YES! 349 00:14:15,300 --> 00:14:16,533 AHH! (cries) 350 00:14:16,533 --> 00:14:18,633 OHH! YES! 351 00:14:18,633 --> 00:14:21,166 OH, GOD. (Michael and Liz screaming indistinctly) 352 00:14:21,166 --> 00:14:23,667 (moans) OH, YEAH! 353 00:14:23,667 --> 00:14:26,367 (speaks indistinctly) (moans) 354 00:14:26,367 --> 00:14:28,533 YOU'RE THE BEST FUCK I'VE EVER HAD! (screams indistinctly) 355 00:14:28,533 --> 00:14:30,600 (Jud and Jackee moaning) YOU'RE THE BEST FUCK I EVER HAD! 356 00:14:30,600 --> 00:14:33,166 (grunting and screaming) 357 00:14:33,166 --> 00:14:34,633 (Michael) LIZ, I'M COMING! 358 00:14:34,633 --> 00:14:36,500 I'M COMING IN FOR A LANDING! 359 00:14:36,500 --> 00:14:38,333 (Jud and Jackee screaming) SHH. SHH. 360 00:14:38,333 --> 00:14:40,800 (squeals and moans) 361 00:14:40,800 --> 00:14:45,266 (both grunting and shouting) 362 00:14:45,266 --> 00:14:46,567 (panting) 363 00:14:46,567 --> 00:14:48,266 (grunts) 364 00:14:48,266 --> 00:14:49,867 NO, I'M STILL COMING! 365 00:14:49,867 --> 00:14:51,834 (grunts) ARE YOU STILL COMING? 366 00:14:51,834 --> 00:14:53,633 (Liz) OH, MY GOD! ANOTHER ONE! 367 00:14:53,633 --> 00:14:55,266 OH, MY GOD! STOP COMING! (screams indistinctly) 368 00:14:55,266 --> 00:14:56,467 IT'S TOO MUCH! 369 00:14:56,467 --> 00:14:58,667 SLOW DOWN YOUR COMING! 370 00:14:58,667 --> 00:15:00,800 WE DID IT! OHH. 371 00:15:00,800 --> 00:15:03,200 IT'S OVER. WE DID IT! 372 00:15:03,200 --> 00:15:04,500 YEAH! 373 00:15:04,500 --> 00:15:06,834 WHOO! OH, YEAH, BABY! 374 00:15:06,834 --> 00:15:08,867 SO I SAW MY FRIEND ALICIA, AND SHE SAID, 375 00:15:08,867 --> 00:15:12,200 "HEY, CHANTAL, WHEN DID YOU GET THE BOOB JOB?" 376 00:15:12,200 --> 00:15:14,433 AND I REPLIED, "EXCUSE ME, ALICIA. 377 00:15:14,433 --> 00:15:17,166 THESE ARE MINE, AND YOU BETTER TAKE THAT BACK." 378 00:15:17,166 --> 00:15:19,166 AND SHE JUST STARTS GETTING ALL HAUGHTY-- 379 00:15:19,166 --> 00:15:21,834 OH, I SHOULD MENTION, WE'RE AT A CHARITY EVENT 380 00:15:21,834 --> 00:15:24,266 BEING THROWN BY MR. GARY BUSEY 381 00:15:24,266 --> 00:15:26,800 FOR PORPOISES THAT WERE ABUSED IN FILM. 382 00:15:26,800 --> 00:15:28,800 SO I OBVIOUSLY DON'T WANT TO MAKE A SCENE, 383 00:15:28,800 --> 00:15:31,433 BECAUSE GARY IS A TORTURED GENIUS. 384 00:15:31,433 --> 00:15:33,467 SO I SAY TO ALICIA, I SAY, 385 00:15:33,467 --> 00:15:35,500 "YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT ALICIA, OKAY? 386 00:15:35,500 --> 00:15:37,500 "AND YOU BETTER TAKE THAT BACK, OR I AM PERMANENTLY TAKING YOU 387 00:15:37,500 --> 00:15:39,500 OFF THE LIST OF PEOPLE THAT I LIKE." 388 00:15:39,500 --> 00:15:41,367 AND THEN SHE JUST STARTS TO CRY 389 00:15:41,367 --> 00:15:43,300 AND SHE SAYS THAT I HAVE GREAT BOOBS 390 00:15:43,300 --> 00:15:44,533 AND THAT SHE'S ALWAYS BEEN JEALOUS OF THEM. 391 00:15:44,533 --> 00:15:47,867 AND I SAID, "I KNOW. EVERYBODY IS." 392 00:15:47,867 --> 00:15:50,233 AND THEN WE WERE BEST FRIENDS AGAIN. 393 00:15:50,233 --> 00:15:51,834 AND I LEARNED A VERY IMPORTANT LESSON 394 00:15:51,834 --> 00:15:54,533 ABOUT STANDING UP FOR YOURSELF. 395 00:15:56,266 --> 00:15:58,166 (Michael) IT'S SO QUIET. 396 00:15:58,166 --> 00:15:59,567 SHE'S EITHER ASLEEP OR IN THE HOSPITAL 397 00:15:59,567 --> 00:16:01,300 'CAUSE IT'S SO BIG. (laughs) 398 00:16:01,300 --> 00:16:03,734 JUD IS THE JEALOUS TYPE. 399 00:16:03,734 --> 00:16:06,567 WHAT DOES HE HAVE TO BE JEALOUS OF? 400 00:16:06,567 --> 00:16:08,200 I DON'T KNOW, 401 00:16:08,200 --> 00:16:10,667 DECENCY... SANITY... 402 00:16:10,667 --> 00:16:13,600 (chuckles) WHATEVER ISN'T HIS. 403 00:16:13,600 --> 00:16:14,967 INCLUDING YOU? 404 00:16:17,166 --> 00:16:18,633 I SAW IT IN HIS EYES. 405 00:16:18,633 --> 00:16:21,200 (sighs) IT WAS A PERFECT ARRANGEMENT 406 00:16:21,200 --> 00:16:24,367 UNTIL I ACTUALLY GOT TO KNOW HIM. 407 00:16:26,300 --> 00:16:30,133 WHAT ARE YOU JEALOUS OF? 408 00:16:32,133 --> 00:16:35,600 PEOPLE WHO ROLL THE DICE... 409 00:16:35,600 --> 00:16:37,400 WILLING TO RISK IT ALL FOR SOMETHING 410 00:16:37,400 --> 00:16:39,500 THAT MIGHT ONLY BE A GOOD IDEA. 411 00:16:39,500 --> 00:16:43,200 FOR THE RIGHT IDEA, YOU WOULD, TOO. 412 00:16:43,200 --> 00:16:44,400 (chuckles) 413 00:16:44,400 --> 00:16:47,367 (both moaning) 414 00:16:47,367 --> 00:16:49,233 (knock on door) 415 00:16:49,233 --> 00:16:51,400 HEY! HEY, HEY, COME ON. 416 00:16:51,400 --> 00:16:53,867 I KNOCKED. DUDE, COME ON. WE NEED HELP WITH THE BARBECUE. 417 00:16:53,867 --> 00:16:55,533 WE'RE BUSY HERE, JUD. 418 00:16:55,533 --> 00:16:56,834 OH, LIZ. 419 00:16:56,834 --> 00:16:58,567 YOU ALWAYS DID LIKE TO KEEP BUSY. 420 00:16:58,567 --> 00:16:59,767 (laughs) 421 00:16:59,767 --> 00:17:01,166 GET OFF. 422 00:17:01,166 --> 00:17:03,633 ALL RIGHT. WHOA. WHOA. 423 00:17:03,633 --> 00:17:05,233 WHOA. WHAT DO WE HAVE HERE? 424 00:17:05,233 --> 00:17:07,600 I MEAN, IS THAT SOME GUY'S ASS? 425 00:17:07,600 --> 00:17:09,233 YOU GOT SOMETHING YOU WANT TO TELL US? 426 00:17:09,233 --> 00:17:11,700 IT HAS TO DO WITH A CASE, A LEGAL MATTER. 427 00:17:11,700 --> 00:17:13,600 OOH. SOUNDS SERIOUS. 428 00:17:13,600 --> 00:17:15,867 A WEB SITE MY FIRM REPRESENTS. 429 00:17:15,867 --> 00:17:18,266 AH, DUDE. I'M JUST BUSTIN' YOUR CHOPS. 430 00:17:18,266 --> 00:17:20,133 I MEAN, COME ON. YOU'RE WITH LIZ. 431 00:17:20,133 --> 00:17:22,266 IT'S OBVIOUS THAT YOU LIKE TO BE WITH A GOOD WOMAN. 432 00:17:22,266 --> 00:17:24,433 JUD, GET OUTTA HERE BEFORE I SHOOT YOU. 433 00:17:26,433 --> 00:17:29,734 I MEAN IT. I'M GONNA FUCKING SHOOT YOU. 434 00:17:29,734 --> 00:17:31,533 OKAY. 435 00:17:31,533 --> 00:17:32,900 OKAY. 436 00:17:35,500 --> 00:17:37,333 WOULD YOU REALLY SHOOT HIM? 437 00:17:37,333 --> 00:17:40,233 YEAH, IN A KNEE. 438 00:17:40,233 --> 00:17:42,133 MAYBE ABOVE THE KNEE. 439 00:17:43,734 --> 00:17:46,500 SO AM I ASKING OR ARE YOU TALKING? 440 00:17:46,500 --> 00:17:48,834 (laughs) WE'RE JUST FRIENDS. 441 00:17:48,834 --> 00:17:50,834 UH-HUH. SEE, OKAY, WHERE I COME FROM, 442 00:17:50,834 --> 00:17:53,400 FRIENDS, THEY GO BOWLING, 443 00:17:53,400 --> 00:17:54,800 THEY PICK UP EACH OTHER'S MAIL. 444 00:17:54,800 --> 00:17:57,166 YOU TWO ARE ON FIRE. 445 00:17:57,166 --> 00:17:58,533 SMOKE. NOT--NOT FIRE. 446 00:17:58,533 --> 00:18:00,233 UH, THAT'S NOT WHAT I SAW. (laughs) 447 00:18:00,233 --> 00:18:01,433 (laughs) SHUT UP. 448 00:18:01,433 --> 00:18:02,667 (Jackee) HI. (laughs) 449 00:18:02,667 --> 00:18:04,367 (yawns) 450 00:18:04,367 --> 00:18:06,800 AHH. DON'T YOU GUYS JUST LOVE THE MOUNTAINS? 451 00:18:06,800 --> 00:18:08,300 (chuckles) YES. 452 00:18:08,300 --> 00:18:09,734 (laughs) OOH, MARGARITAS. 453 00:18:09,734 --> 00:18:11,700 I LIVE FOR MARGARITAS. 454 00:18:11,700 --> 00:18:13,233 YEAH. 455 00:18:13,233 --> 00:18:14,600 THOSE ARE NOT BLENDED YET. 456 00:18:14,600 --> 00:18:16,200 MM. MM. 457 00:18:16,200 --> 00:18:18,200 (whispers) LIZ, CAN I TALK TO YOU FOR A MINUTE? 458 00:18:18,200 --> 00:18:20,100 YEAH, YEAH. 459 00:18:21,834 --> 00:18:23,600 (whispering) SO THAT WHOLE SEX THING EARLIER... 460 00:18:23,600 --> 00:18:24,800 MM-HMM. 461 00:18:24,800 --> 00:18:26,266 IT WASN'T MY IDEA. 462 00:18:26,266 --> 00:18:27,533 IT'S ALL GOOD. YEAH. 463 00:18:27,533 --> 00:18:30,567 I WAS HOPING WE COULD HAVE A FOURSOME. 464 00:18:30,567 --> 00:18:32,166 (chuckles) 465 00:18:32,166 --> 00:18:33,633 (whispers) YEAH. 466 00:18:33,633 --> 00:18:36,233 (whirs) 467 00:18:38,567 --> 00:18:41,633 HOW'S IT FEEL, BEING SURROUNDED BY THE ENEMY? 468 00:18:41,633 --> 00:18:43,367 LAWYERS AND COPS-- 469 00:18:43,367 --> 00:18:46,500 TWO SIDES OF A BAD ARGUMENT, YOU KNOW? 470 00:18:46,500 --> 00:18:48,800 WHEN DID YOU DECIDE YOU WANTED TO BE A COP? 471 00:18:48,800 --> 00:18:50,200 (chuckles) 472 00:18:50,200 --> 00:18:51,467 AROUND THE TIME I REALIZED, 473 00:18:51,467 --> 00:18:54,400 AL GREEN WAS ALREADY AL GREEN. 474 00:18:54,400 --> 00:18:56,300 (laughs) 475 00:18:56,300 --> 00:18:59,734 (sighs) 476 00:18:59,734 --> 00:19:01,667 THE REAL REASON? 477 00:19:01,667 --> 00:19:02,867 RESEARCH. 478 00:19:02,867 --> 00:19:04,433 RESEARCH FOR WHAT? 479 00:19:04,433 --> 00:19:06,767 (spits) MY WRITING. 480 00:19:06,767 --> 00:19:09,600 IN HERE, I'M NOT A COP. 481 00:19:09,600 --> 00:19:10,900 I'M ELMORE LEONARD. 482 00:19:10,900 --> 00:19:13,266 GOT A MASTER'S IN CREATIVE WRITING. 483 00:19:13,266 --> 00:19:14,734 (chuckles) 484 00:19:14,734 --> 00:19:16,333 IDEAS FOR THE NEW NOVEL. 485 00:19:16,333 --> 00:19:17,533 WHAT'S IT ABOUT? 486 00:19:17,533 --> 00:19:19,333 FUCK KNOWS? 487 00:19:19,333 --> 00:19:20,800 (both laugh) 488 00:19:20,800 --> 00:19:23,266 THE BLURRED LINE BETWEEN FACT AND MADNESS. 489 00:19:23,266 --> 00:19:24,800 SOUNDS LIKE MY CAREER. 490 00:19:26,300 --> 00:19:28,500 SOUNDS LIKE EVERYBODY'S CAREER, MAN. 491 00:19:30,433 --> 00:19:32,800 I DID GET A POTBOILER PUBLISHED. 492 00:19:32,800 --> 00:19:35,133 OH, YEAH? (laughs) YEAH. 493 00:19:35,133 --> 00:19:36,867 KINDA TOOK THE ENGLISH LANGUAGE FOR A RIDE 494 00:19:36,867 --> 00:19:39,800 IT DIDN'T WANT TO GO ON. (chuckles) 495 00:19:39,800 --> 00:19:42,567 "HE STARED AT THE SUN, AND IT BRANDED HIS PSYCHE 496 00:19:42,567 --> 00:19:44,266 "LIKE THE LIES OF A THOUSAND LIARS 497 00:19:44,266 --> 00:19:46,700 AND THE BLOOD OF A THOUSAND WARS." 498 00:19:46,700 --> 00:19:48,233 OUCH. 499 00:19:48,233 --> 00:19:49,433 (laughs) YEAH. 500 00:19:49,433 --> 00:19:51,333 HOW MANY COPIES YOU SELL? 501 00:19:51,333 --> 00:19:54,200 30. 502 00:19:54,200 --> 00:19:55,867 I GOT 26 LEFT. 503 00:19:55,867 --> 00:19:57,266 (chuckles) OH, MAN. 504 00:19:57,266 --> 00:19:58,767 SO IF YOU WANT ONE, I GOT YOU. 505 00:19:58,767 --> 00:20:00,166 I'LL TAKE. 506 00:20:00,166 --> 00:20:01,467 ALL RIGHT. (laughs) 507 00:20:01,467 --> 00:20:04,633 GOOD MAN, GOOD MAN. 508 00:20:04,633 --> 00:20:07,433 ♪ 509 00:20:07,433 --> 00:20:09,333 OOH. (laughs) 510 00:20:09,333 --> 00:20:11,900 ♪ 511 00:20:11,900 --> 00:20:14,233 THAT WOMAN IS GON' KNOCK SOMEBODY OUT. 512 00:20:14,233 --> 00:20:15,433 (chuckles) 513 00:20:15,433 --> 00:20:18,934 ♪ 514 00:20:20,667 --> 00:20:23,767 (sighs) JUD DOES THROW A HELL OF A PARTY, HUH? 515 00:20:23,767 --> 00:20:25,400 ♪ 516 00:20:25,400 --> 00:20:26,667 YOU GUYS BUDDIES? 517 00:20:26,667 --> 00:20:28,533 IT DOESN'T WORK THAT WAY WITH JUD. 518 00:20:28,533 --> 00:20:30,266 I LIKE THE CABIN, THOUGH. 519 00:20:30,266 --> 00:20:31,467 HMM. 520 00:20:31,467 --> 00:20:33,767 MM. MIND IF DANCE WITH YOUR DATE? 521 00:20:33,767 --> 00:20:37,367 GET YOUR MAN OUTTA HERE BEFORE PRESTON BORES HIM TO DEATH. 522 00:20:37,367 --> 00:20:38,767 ♪ 523 00:20:38,767 --> 00:20:40,400 HAVING FUN? 524 00:20:40,400 --> 00:20:41,600 YEAH. 525 00:20:41,600 --> 00:20:44,233 (laughs) 526 00:20:44,233 --> 00:20:45,767 LIAR. 527 00:20:45,767 --> 00:20:48,367 THAT'S NOT TRUE. I LIKE PRESTON. 528 00:20:48,367 --> 00:20:49,567 MM. 529 00:20:49,567 --> 00:20:50,934 AND I REALLY LIKE YOU. 530 00:20:50,934 --> 00:20:55,467 ♪ 531 00:20:55,467 --> 00:20:56,700 AND I LOVE... 532 00:20:56,700 --> 00:20:59,467 MAKING LOVE TO YOU AT 6,000 FEET. 533 00:20:59,467 --> 00:21:02,600 ♪ 534 00:21:05,467 --> 00:21:08,800 (imitating police siren) 535 00:21:10,700 --> 00:21:12,433 ASS ALERT. 536 00:21:12,433 --> 00:21:14,266 OH. 537 00:21:14,266 --> 00:21:16,533 ASS ALERT. 538 00:21:16,533 --> 00:21:18,934 COME ON, MAN. LET ME HAVE THAT BACK. 539 00:21:18,934 --> 00:21:21,266 THERE'S A LOT OF IMPORTANT STUFF ON THERE. 540 00:21:21,266 --> 00:21:24,467 YEAH, IT LOOKS-- LOOKS REAL IMPORTANT. HA HA HA. 541 00:21:24,467 --> 00:21:26,934 QUIT FUCKING AROUND, AND GIVE HIM HIS COMPUTER BACK. 542 00:21:26,934 --> 00:21:29,800 SURE. 543 00:21:31,367 --> 00:21:33,300 OOPS. WHAT THE FUCK, MAN? 544 00:21:33,300 --> 00:21:36,934 THERE WERE HOURS OF WORK ON THAT. HEY, SEE YOU IN COURT, RIGHT? 545 00:21:36,934 --> 00:21:39,834 YOU'RE ACTING LIKE AN IDIOT. YOU'RE WASTED. 546 00:21:39,834 --> 00:21:42,900 YEAH, SO WERE YOU THE LAST TIME YOU WERE ON MY BOAT, LIZZIE. 547 00:21:42,900 --> 00:21:45,433 REMEMBER? HEY, ENOUGH. 548 00:21:45,433 --> 00:21:46,800 YEAH? THAT'S NOT WHAT SHE SAID. 549 00:21:46,800 --> 00:21:48,967 OH, YOU-- FUCK YOU, CUTTER! 550 00:21:48,967 --> 00:21:50,500 ALL RIGHT, ALL RIGHT. LIZ... 551 00:21:50,500 --> 00:21:51,900 WE'RE GONNA GO INSIDE. 552 00:21:51,900 --> 00:21:53,934 WELL, LIKE THE MAN SAID, 553 00:21:53,934 --> 00:21:56,633 SOME PEOPLE LIKE TO EMBRACE CONFLICT, 554 00:21:56,633 --> 00:21:58,567 AND SOME PEOPLE LIKE TO RUN FROM IT. 555 00:22:06,266 --> 00:22:08,433 AND SOME PEOPLE ARE JUST ASSHOLES. 556 00:22:08,433 --> 00:22:10,934 WHAT DID YOU SAY? 557 00:22:10,934 --> 00:22:13,200 YOU HEARD IT. 558 00:22:17,900 --> 00:22:19,600 COME ON, GUYS. PLEASE. HEY. 559 00:22:19,600 --> 00:22:21,500 COME ON--OH! HEY! 560 00:22:22,767 --> 00:22:25,233 HEY! (grunts) 561 00:22:25,233 --> 00:22:26,767 COME ON, MAN. WE'RE ALL JUST HAVING A GOOD TIME HERE. 562 00:22:26,767 --> 00:22:29,600 (grunts) YOU BROKE MY FUCKING NOSE. 563 00:22:29,600 --> 00:22:33,734 OH, MY BAD... DUDE. 564 00:22:33,734 --> 00:22:36,367 (pants) 565 00:22:36,367 --> 00:22:37,834 YOU WERE PRETTY TOUGH OUT THERE, 566 00:22:37,834 --> 00:22:40,333 SLUGGING A HOMICIDE DETECTIVE. 567 00:22:40,333 --> 00:22:42,166 I'VE NEVER DONE THAT BEFORE. 568 00:22:42,166 --> 00:22:43,367 (laughs) 569 00:22:43,367 --> 00:22:45,233 I'VE NEVER EVEN HIT ANYBODY. 570 00:22:45,233 --> 00:22:48,166 I'M BRINGING OUT THE BEST IN YOU. 571 00:22:48,166 --> 00:22:49,767 HOW'S YOUR HAND? 572 00:22:49,767 --> 00:22:51,433 IT HURTS. 573 00:22:51,433 --> 00:22:54,567 IT SHOULD. YOU HIT HIM PRETTY HARD. 574 00:22:54,567 --> 00:22:56,333 I KNOW ABOUT TRIAGE. 575 00:22:56,333 --> 00:22:57,533 OH? 576 00:22:57,533 --> 00:22:59,266 I'M PROFESSIONALLY TRAINED. 577 00:22:59,266 --> 00:23:00,567 WHAT DO YOU SUGGEST? 578 00:23:00,567 --> 00:23:03,233 SEE, THE TRICK IS TO... 579 00:23:03,233 --> 00:23:06,533 GET YOUR MIND OFF THE PAIN... 580 00:23:06,533 --> 00:23:08,767 CONFUSE THE NERVE. 581 00:23:08,767 --> 00:23:11,500 (laughs) 582 00:23:14,867 --> 00:23:16,834 SEE... 583 00:23:16,834 --> 00:23:18,567 (chuckles) 584 00:23:18,567 --> 00:23:21,500 SEE THE... THEORY IS 585 00:23:21,500 --> 00:23:24,266 THAT THE MIND CANNOT ENTERTAIN... OH. 586 00:23:24,266 --> 00:23:27,900 TWO NEURAL IMPULSES AT ONCE. 587 00:23:27,900 --> 00:23:29,500 AH, THAT'S FASCINATING. 588 00:23:29,500 --> 00:23:31,166 IT IS, ISN'T IT? (moans) 589 00:23:31,166 --> 00:23:32,867 IT'S ALL CIRCUITRY. 590 00:23:32,867 --> 00:23:36,200 AS THE VELOCITY OF MY HAND INCREASES... 591 00:23:36,200 --> 00:23:37,734 (moans) 592 00:23:37,734 --> 00:23:39,800 THE PAIN THAT YOU FEEL BEGINS TO FADE. 593 00:23:39,800 --> 00:23:41,367 UH-HUH. 594 00:23:41,367 --> 00:23:44,166 AND IF I INTRODUCE MY OTHER WARM HAND... 595 00:23:44,166 --> 00:23:45,367 AHH. 596 00:23:45,367 --> 00:23:46,800 INTO THE PROCEDURE, 597 00:23:46,800 --> 00:23:48,200 THE PAIN INEVITABLY... 598 00:23:48,200 --> 00:23:51,166 (pants) 599 00:23:51,166 --> 00:23:53,700 WILL VANISH. 600 00:23:53,700 --> 00:23:55,834 GOD. 601 00:23:55,834 --> 00:23:59,500 (pants) 602 00:24:03,767 --> 00:24:06,400 I HATE TO ADMIT THIS, 603 00:24:06,400 --> 00:24:09,533 BUT I LIKE WHEN A MAN FIGHTS FOR ME. 604 00:24:09,533 --> 00:24:11,600 (panting) 605 00:24:11,600 --> 00:24:15,200 YOU COULD FIGHT FOR YOURSELF. 606 00:24:15,200 --> 00:24:17,367 I STILL LIKE IT. 607 00:24:22,266 --> 00:24:23,767 LET'S GO HOME. 608 00:24:23,767 --> 00:24:26,633 OKAY. 609 00:24:26,633 --> 00:24:28,233 HELL OF A WEEKEND. 610 00:24:28,233 --> 00:24:30,567 INSPIRED ME TO WRITE A WHOLE DIFFERENT NOVEL. 611 00:24:30,567 --> 00:24:32,600 I EVEN STARTED ON IT UP THERE. 612 00:24:32,600 --> 00:24:34,934 CHAPTER ONE, LAST PARAGRAPH, 613 00:24:34,934 --> 00:24:37,166 "THE FIGHT ENDED, 614 00:24:37,166 --> 00:24:40,400 "BUT IT WASN'T BLOOD SO MUCH AS PRIDE THAT HAD BEEN SPILLED. 615 00:24:40,400 --> 00:24:44,333 "THE DRUNK WAS ON THE FLOOR AS HE ALWAYS WOULD BE, 616 00:24:44,333 --> 00:24:47,734 "LOOKING UP AT THE STRENGTH AND DECENCY OF OTHERS. 617 00:24:47,734 --> 00:24:50,166 "AND FOR A FLEETING MOMENT, 618 00:24:50,166 --> 00:24:54,500 "THE MAN WHO STOOD OVER HIM HAD LOST HIMSELF... 619 00:24:54,500 --> 00:25:15,333 AND WONDERED IF HE DIDN'T PREFER IT THAT WAY."